Help save my marriage

angiemcmahon:

This is a new short I wrote.

angiemcmahon:

So at the start of April I got an email from an agency. For the purpose of this article I will keep all names of the agency, photographer and myself out. I wanted folks to know the experience but don’t want other agencies to not take me on because of this incident.

The email said:

You…

Hey guys, thanks to everyone that followed my Process. I am going to be teaching a producing class for Second City if you are interested follow the link

angiemcmahon:

Here is the final show for those that couldn’t make it out. I edited two nights together do you get a feel for transitions…enjoy!

4 months in the making…here is the final show

Sheldon was my Acting teacher as well as the head of my department when I went to Columbia College. He continues to be an amazing man.  He would hate this blog cause of my bad spelling and grammar :)

The following is re posted from Kerry Reid’s Facebook:

There are a couple of wonderful groups going on here right now about Chicago theater in the 1980s and 1990s, and in a thread dedicated to the indispensable, inimitable, and indomitable Sheldon Patinkin, the lovely and talented Jennifer Markowitz recounted his rules for directing. I love them so much that I am reposting them here. I think even non-theater folks can take something away from them that would be highly useful! (The “I” referenced in the parentheticals below is Ms. Markowitz, but I can echo her sentiments as someone who was also lucky enough to study directing with Sheldon.)

1. Don’t treat your actors as if they were your students.
2. It is not your job to be your actor’s friend. It is your job to help them find their best performance. As soon as you accept that, the need to be liked will no longer get in the way of their need to be directed.
3. Talk to each actor differently, according to their individual needs (this is something I’ve found most helpful for me).
4. Never lose your temper in front of an actor (unless you are faking it as another directing tool).
5. Always do general blocking first.
6. Always do pacing last.
7. Directing, more than anything, is a craft.
8. Never think you are more clever than the script you are directing. In other words, don’t invent things that look cool just to show off if the script does not support this.
9. No one wants to hear about your personal problems. Your job as a director is to encourage actors to leave their troubles at the door and no one can do that if you don’t lead by example.
10. Never keep the audience sitting in the dark for a scene shift. Always choreograph and cover shifts, unless you are trying to reveal a self-consciousness of theatre craft (ie Wilder). However, even then, choreograph.
11. Without good acting, there is no production (no matter how pretty you have tried to make it).
12. You (I) am not as clever as you (I) think you (I) are (am) (which, said to my 21-year old self, was the best way to get me to shut up and listen).
13. Spelling and grammar always count.

http://www.chicagoreader.com/chicago/separation-of-state-and-division/Event?oid=6751397

The opening night card the cast made me.

When I was 20 years old I signed up for “Comedy Cabaret” at Columbia College for the fall semester. I had NO idea how to write a sketch but I spent the entire summer writing down funny ideas, lines, and what I thought to be scenes. I walked into my first day of class with about 20 full pieces of paper.

Two years ago I got accepted into the directors program. I found out I was 8 weeks pregnant when the offer came in. SC offered to let me defer for a year while I had the baby (soooooo glad I took that offer)

But from the moment I knew I got in I started to think about what I wanted my final project to look like without any idea of how to put a revue together.

I can’t not put into words what an amazing year this has been, I feel the happiest I have in a long time. I am so sad to see the year come to and end, but all I can think about is wanting to start a new process, what I would do different.

I am excited for tonight, and nervous. But as they say in the Olympics “It’s a lot of pressure but I have to trust my instincts at this point” I don’t know who the hell said that, but I saw it in a commercial and thought it was relevant.

Today plan to go to SC at 7pm print out playbills, grab a keyboard and have my MD understudy (yup opening night understudy) run songs with the cast. Then pace around with a look of terror on my face and hope I don’t make everyone uncomfortable. Then sit in the house and do nothing. That’s the plan anyway.